
I recently suggested that in any interpersonal interaction there is a superficial socially-driven interaction, and a deeper more subconscious conversation that can only be understood by reading non-verbal cues and thinking about what is not said. I mentioned that this is a skill practised not just by psychiatrists but by other professionals, and that people working in these roles can sometimes come across as manipulative.
There are some professions where manipulation is absolutely the name of the game. For example, Advertising. Advertising is an industry that has achieved a recent resurgence of notoriety by being featured in the Mad Men TV series but good commercials have always exhibited far shrewder psychological insight than the TV programmes that surround them. The limited time of a TV spot means that advertisers work hard to first capture attention, and then ingrain a clear psychological impression of the brand on the viewer.
Good advertisers do this by manipulating social conventions and assumptions, and they apply a large dose of psychological pressure to ensure success. Let’s examine three very different recent adverts, united only by being at least partly set within airports:
First, T-Mobile:
It’s a follow-up to a similar ad earlier this year. The main challenge that telecommunications companies face is distinguishing themselves from their rivals. We all use them regularly, but tend to be very reluctant to change from one network to another. Their advertising tends to be more about cementing market share and making small incremental longer-term gains from competitors rather than stellar overnight gains in subscribers.
The advert implicitly acknowledges this. It does not try to directly tell you anything about the brand, it doesn’t try to give you a rational argument as to why its product is different from other networks. This advert is all about brand management: it tries to give an overall emotional impression of what it means to be a T-mobile user: spontaneous, fun, connected and adaptable. The vehicle used – an apparently spontaneous interactive exciting event in a location that we associate with making connections with others – reflects precisely those personality traits, making the advert highly effective and memorable.
Here’s another recent one:
While I love it primarily for the use of a specially recorded version of Only You by Alison Moyet (based on the original hit she sang as part of Yazoo in the 80s) it also hits a clever psychological note by applying a gentle twist to the theme of lovers being reunited. The advert is not trying to manage a well-known brand, but instead works hard to get viewers unfamiliar with the company to acknowledge it exists. The engagingly simple music track, combined with the mildly humorous twist, serve to create a warm and romantic mindset that disarms our more jaded nature, and so allows the commercial message to be driven home strongly at the end.
Humour is used frequently for this purpose in advertising. Get someone laughing and their psychic defences are shattered. The advertising message can then be inserted without resistance. When allied with nostalgia – another way of undermining resistance with warmth – it can be a very powerful tool. Time to jet off again…
Virgin is a well-known international brand, but has always prided itself on being an underdog offering something unique to the airline market. This advert is designed to reflect that pride, while including a couple of subtle little digs at its biggest competitor in the transatlantic market, British Airways. The most obvious BA gag would be the snooty staff in dull blue uniforms with their hair done up in buns (an image associated more with librarians than the excitement of going on holiday) but there’s also a cute little dig at Maurice Saatchi when his doppelganger near the end says he needs a new job. Maurice Saatchi founded the advertising agency Saatchi and Saatchi… which was responsible for British Airways advertising in the 1980s.
That last visual gag is unlikely to have been noticed by those without a passing familiarity with the advertising industry, but the more general effect of the advert is to emotionally disarm the viewer with nostalgia and humour, allowing Virgin to remind them of their individuality.
Three very different adverts, but all examples of how a strong psychological message can be delivered within a minimal timeframe if music, images and other non-verbal cues are combined together to manipulate the viewer’s preconceptions. Advertisers understand that rational argument is rarely the most effective way to sell a product; managing emotional responses is far more effective. They do this by going beneath a superficial conversation to identify the emotional dynamic that underpins it, and so effect a change in behaviour.
Just think about how much more effective your interactions might be if you started looking at the world in this way.












