What do you see in the above image?
If you’re anything like me, your first thought is “ritual cultic mask”.
In fact, it is thought more likely to be protective headgear worn during metal-working in Bronze Age Greece. The mask is one of many I saw displayed on a recent visit to the National Archaeological Museum in Athens. It is interesting that my preconceptions/mental associations of Ancient Greece as a powerful mystical cultural source led to my assuming the mask had an equally mystical role. It’s amusing to see one’s own assumptions turned on their head; it encourages further thought.
Masks are commonly thought of as means of disguise; a way to conceal identity from detection. But in fact, they can also be used to create identity. Think of the masks used in Greek theatre or Japanese Kabuki, both designed to evoke the spirit of a character and so allow the observer to know how to react to their stage antics. Think also of Venetian carnival masks, used in a more permissory manner to give the wearer freedom from their normal responsibilities; a license to be licentious.
Masks are also commonly used in funerary rites, especially in earlier eras (though the art of the modern mortician could be thought of as continuing this ritual remaking of the dead). The Mycenean golden death mask below is also from the Athenian National Archaeological Museum, and has the rare feature of depicting the dead person with eyes open:
The death mask illustrates another role of masks: to transform the person wearing the mask into something else. The image below from the Benaki Museum in Athens is not a mask (it’s a garment buckle) but my reflection in the cabinet’s glass while taking the photo neatly replaces my own face by the Gorgon’s face (you can just about see my shirt collar below). Another masked transformation of sorts…
Masks can therefore be co-opted as disguises, as emotional guides, and as transforming agents. And of course, they are deployed in a metaphorical way during our daily lives, as we mould our words and actions to suit different circumstances, sometimes suppressing our inner thoughts to do so.
On that note, I will end by quoting American author Clifton Fadiman on the risks of our using self-created masks too often:
For most men life is a search for the proper manila envelope in which to get themselves filed.





It is not surprising that several guests at Friday’s Royal Wedding were anonymously quoted as “feeling jaded” yesterday. Anticipation of great events is commonly followed by a drained numbness, even if the event meets elevated expectations. Life thus passes by as a series of interspersed highs and, if not lows, mediocre neutrals. Is this the sum total of the human experience?
Susanoo, God of Storms, feuded violently with his sister Amaterasu, the Sun Goddess.






